mercoledì, gennaio 24, 2007
This is a Specter's interview about some public art's topics:
"I was drawn to public art through graffiti, it made me aware of the endless locations for artistic expression and that I could create my own limits to where and how I wanted to display my art. The word "public" means accessible outside the home, ownership doesn't determine public space anything accessible by site is public space to me..." follows in comments
"I was drawn to public art through graffiti, it made me aware of the endless locations for artistic expression and that I could create my own limits to where and how I wanted to display my art. The word "public" means accessible outside the home, ownership doesn't determine public space anything accessible by site is public space to me..." follows in comments
This is a Tactical Magic's interview about some public srt's topics:
"Why did you decide to work in “public space” and what does “public” mean to you?
There are, of course, “many publics.” But in a general sense, the ideal public space is a truly liberated zone; a place where people can move and act freely. Yet these sorts of public spaces are difficult to find. And often we only know that a public space is truly liberated when we attempt to activate it in a manner that doesn’t involve going to work or buying something. So-called “public” space, particularly in the Untied States, has largely become an illusion, especially in urban areas..."follows in comments
"Why did you decide to work in “public space” and what does “public” mean to you?
There are, of course, “many publics.” But in a general sense, the ideal public space is a truly liberated zone; a place where people can move and act freely. Yet these sorts of public spaces are difficult to find. And often we only know that a public space is truly liberated when we attempt to activate it in a manner that doesn’t involve going to work or buying something. So-called “public” space, particularly in the Untied States, has largely become an illusion, especially in urban areas..."follows in comments
This is a Slinkachu' s interview about some public art's topics:
"Why did you decide to work in “public space” and what does “public” mean to you?
Public spaces allow freedom to do what I want, within reason. Anyone can utilise public spaces to create art, whereas not everyone can get in to a gallery to display their work. Also the message and its context differs – finding art unexpectedly in a public space can be a surprise and the art can talk differently to its audience (and often to a different audience) that way..." follows in comments
"Why did you decide to work in “public space” and what does “public” mean to you?
Public spaces allow freedom to do what I want, within reason. Anyone can utilise public spaces to create art, whereas not everyone can get in to a gallery to display their work. Also the message and its context differs – finding art unexpectedly in a public space can be a surprise and the art can talk differently to its audience (and often to a different audience) that way..." follows in comments
lunedì, dicembre 11, 2006
This is Pao's interview about public art's topics:
"Perché hai deciso di lavorare con lo spazio pubblico e qual è la tua concezione di “pubblico”?
Ho iniziato a dipingere nello spazio pubblico di ritorno da una permanenza di quasi un anno a Londra, era il 1999. In quel periodo stavo prendendo consapevolezza riguardo le politiche di privatizzazione dello spazio pubblico..." follows in comments
"Perché hai deciso di lavorare con lo spazio pubblico e qual è la tua concezione di “pubblico”?
Ho iniziato a dipingere nello spazio pubblico di ritorno da una permanenza di quasi un anno a Londra, era il 1999. In quel periodo stavo prendendo consapevolezza riguardo le politiche di privatizzazione dello spazio pubblico..." follows in comments
This is a Margherita Moscardini's interview about some public art's topics:
"Perché hai deciso di lavorare con lo spazio pubblico e qual è la tua concezione di “pubblico”?La decisione in realtà è stata inizialmente una opportunità che ho accolto: partecipare alla selezione di progetti da realizzare nella stazione ferroviaria di Bologna Centrale..." follows in comments
"Perché hai deciso di lavorare con lo spazio pubblico e qual è la tua concezione di “pubblico”?La decisione in realtà è stata inizialmente una opportunità che ho accolto: partecipare alla selezione di progetti da realizzare nella stazione ferroviaria di Bologna Centrale..." follows in comments
This is a Lorenzo Fusi's interview about some public art's topics:
"La dimensione pubblica nell’arte non è mai mancata o venuta meno e, certo, non rappresenta una novità. Quello che, semmai, è cambiato..." follows in comments
"La dimensione pubblica nell’arte non è mai mancata o venuta meno e, certo, non rappresenta una novità. Quello che, semmai, è cambiato..." follows in comments

